Read the following remarks on jazz improvisation by Sharon Welch and tell me how much this sounds like biblical interpretation:
Think about the logic of jazz. Jazz emerges from the interplay of structure and improvisation, collectivity and individuality, tradition and innovation. What goes on when jazz is performed? Jazz is not complet
ely free form. There are standards, songs that can be played again and again. The score of jazz ranges from a chord progression and melody, or a full orchestration with openings for improvisation. From that core the players innovate and improvise, modifying the chords and melodies and rhythm. The pleasure and energy of jazz comes from hearing both a familiar chord progression and melody and the new possibilities, what can be done from that structure. The ability to improvise is fuelled both by individual effort, creativity and technique and group synergy: the technical skill and creativity of each player is as foundational as is the spark that comes from playing off of each other.
So, what does it take to improvise? A key element is respect for the tradition, learning from it without merely repeating it. This respect is expressed by Miles Davis: ’I played ‘My Funny Valentine’ for a long time – and didn’t like it – and all of a sudden it meant something’ (Walser 1995, p. 165). Another essential element in jazz is respect for other players. Continue reading






