In his attempt to read the movie Gladiator as a cultural text (chapter 6 in Everyday Theology), Michael Sleasman makes the point that,
“Film has become the new text by which many around the globe now pose the crucial questions about life.”
Considering that nearly every youth pastor in the country obsessively quoted The Matrix when it reached blockbuster status (and only seemed to use the movie for illustrations rather than critical interaction of ideas), I think that this chapter is worth taking note of. Movies have, no doubt, reached new levels of influence with emerging generations, and in many ways, are landmarks for cultural self-awareness.
Sleasman lays out three key directions from which to analyze a movie text:
- The World-Behind-the-Text: “The world behind the text is most simply viewed as the background for a film, which may include genre, social context, cinematic influences, and most importantly the director.” P. 135
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