How do hymns display and express the theology of a particular Christian community or tradition? And how does this sung theology shape and form our faith (belief, affection, and action)?
For the sake of the discussion, let’s focus on evangelical hymns. In American Evangelical Christianity, Notre Dame historian, Mark Noll, attempts to probe the message of evangelical Christianity through the medium of its hymns. In doing so, he identifies three distinct layers of hymnody that define the modern evangelical movement at its best. For our purposes we will consider just two: Christ-centered picture of redemption and social vision (the other is ecumenism). Even if you don’t identify with the evangelicalism Noll expounds, consider how the sung theology of your tradition shapes your beliefs – your credo.
The Scandal of the Cross Is the Scandal of My Forgiveness
“And can it be that I should gain An interest in the Savior’s blood?
Died he for me, who caused such pain? For me? Who him to death pursued? Amazing love! How can it be That thou my God, shouldst die for me?” (Charles Wesley)
The first thing to notice about this hymn is its characteristically evangelical focus on the individual person’s salvation. It casts the scandal of the cross primarily in terms of how the love and forgiveness therein could be for “me.” Wesley wonders over the radicality of Christ’s death and asks: “For me?” Continue reading